By Richard Pacheco
Shirley
Valentine is a one-character play by Willy Russell. Taking the form of a
monologue by a middle-aged, working class Liverpool housewife, it focuses on
her life before and after a transforming holiday abroad. Russell turned the
acclaimed play into a film staring the actress who did the show on stage in
London’s West End, Pauline Collins.
The current production at 2nd
Story offers a bravura performance by Joanne Fayan that bristles, sparkles and
delights without hesitation and without stop.
Shirley is
stuck in her life, caught and trapped in the dull day to day in Liverpool.
There seems to be no escape from her doldrums which daily encroach on her and
only leave her with faded dreams and lost hopes, in short leave her in a dismal
state longing for more. Shirley finds herself regularly alone and talking to
the wall while preparing an evening meal of egg and chips for her emotionally
distant husband. Her friend whose husband left her for the milkman, offers to
take her along on a trip to Greece, all expenses paid and Shirley can’t resist.
Her two children often annoy and distress her with their attitudes and antics.
Her husband is often distant and self-absorbed leaving her feeling trapped with
no way out of her dilemma, which only seems to get worse everyday.
So when she
heads off to Greece she does with a mixture of trepidation and excitement. Here
is a chance to revive herself and her life to reconnect with the Shirley
Valentine who was bold and daring and tamed down when she became a wife,
misplacing her sense of daring and love of life. In Greece, she is ignites in
her love of life and herself once again, reviving her sense of daring and
adventure, stirring her courage once again.
Joanne Fayan
is raw delight in the role. She is poised and astute in her depiction of
Shirley’s conflicting fees and dreams. She has personality that she exudes
without fail. When she rants about her husband and her disappointments, it is
comic gems, delivered with the right mixture os sassy and smart. The only thing
missing from the performance is a Liverpool accent and frankly with this kind
of gem of a performance, that is minimal and better no accent that a horrid
one. Fayan’s performance makes up for this with a zest and convincing passion
that illuminates the stage.
Mark Peckham
directs with a sureness of touch and real energy, which takes full advantage of
the theater in the round set up at 2nd Story’s upstairs theatre. He
moves her with grace and supple confidence throughout the space, a sheer
delight.
The setting
and light design by Max Ponticelli is right on the mark evoking both the
Liverpool flat and the Greek ruins with discrete and slight touches that work
perfectly.
This is a
bold and superb performance that shimmers with verve and personality, leaving
an indelible mark in the memory and the heart. Ms.Fayan got a well deserved
standing ovation at the end for her memorable performance. You don’t want to
miss it.
It will be
presented again until April 2in the Upstage theater with tickets: Regular –
$35, Preview (online) – $20, Preview (phone/in-person) – $25. Under 25 – $25*
matiness are Thusday through Saturday at 7:30 and Sunday matinees at 2:30.
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