By Richard Pacheco
“The Little
Mermaid,” the Disney classic film turned into a musical at Theatre by the Sea
is perfect family fare, well acted, and well sung with bright costumes and flashy
dancing. In short it is sheer fun for all ages. It is utterly charming and
delightful for all.
The show
comes from the Disney movie which comes from the Hans Christian Anderson fairy
tale abut a mermaid who is willing to sacrifice her life in the sea and mermaid
identity to gain a human soul and love a
human prince.
Ariel ventures to the surface when
she turns 15. She witnesses a great storm and sees a handsome young prince on
board and rescues him from drowning, taking him to shore. When he awakens she
is gone and he doe not realize it was she who saved him. In an effort to become
human she goes to visit the sea witch, her aunt, willing to sacrifice her
lovely voice in order to become human and thereby win the heart of the prince.
Is she fails to get him to kiss her within three days she will be forever
doomed to serve the Sea Witch and never view humans or the prince again.
Adrienne Eller is Ariel, the
mermaid with the longing to be human. She is pert and perky, with a girlish
charm and special voice. She is enchaining in the role, the embodiment of the
little mermaid. Her voice is angelic and yet strong. She ably displays her
talents in “The World Above” and “Part of Your World” as well as the other
songs she sings Like “Ariel’s Lament.”
Austin Colby is the handsome prince
who would rather be a sailor that inherit his father’s throne and rule his
kingdom. He is a mixture of boyish yet complex with a solid voice and
impressive stage presence. He is a great foil for Eller and the two work well
together with charm and vitality. He is excellent in “Her Voice” and “One Step
Closer.”
Andrew Holder is Ariel’s friend
Flounder. He adores Ariel and follows her pile a puppy. He shows his singing
voice off well in his song with the mersisters, “She’s in Love.”
Zachary Berger is the seagull the
irrepressible Scuttle. Scuttle is a madcap mixture of confidence and
malapropisms, misstating all kinds of things with unbridled enthusiasm. He is
hilarious with the seagulls who all tap dance their way with finesse and
confidence through “Positooovity.”
Of course there is the charming and
winning crab, Sebastian, anointed guardian for Ariel and yet she always manages
to outwit him to pursue her goals. He speaks with a Jamaican accent and is
flamboyant and sun. Nkrumah Gatling
brings him to life with terrific comic timing and a strong singing voice. He
really shines in a vigorous and fun version of “Under the Sea” with the sea
creatures.
The wicked Sea Witch, Ursula is
King Triton’s sister and a dark force to be reckoned with using her cohorts the
darkly evil eels, Flotsam and Jetsam. She has a killer voice, full of raw power
and variance. When she sings “Poor Unfortunate Soul” she explodes with energy
and scathing sarcasm. Her trio with Flotsam (Robert Conte) and Jetsam (Daniel
Hurst), “Daddy’s Little Girl” is also excellent.
King Triton is all bluster and
pomp, demanding his daughters, and everyone else obey him without hesitation or
question. Yet he does indeed love his daughter, in particular the youngest,
Ariel. He shows this at last at the end.
Joseph Torello is King Triton and handles the role ably, but is in fact
the weakest singing voice onstage.
One of the most impressive part of
this endearing show is the complex and
rich quarter, “If Only” which carries the finesse of Verdi sung by
Ariel, Prince Eric, Sebastian and King Triton.
The musical
is attractive with great songs from the Alan Menken music the Howard Ashman
Glenn Slater lyrics and the book by Doug Wright. It is both warm and fun.
Director
and choreographer Billy Sprague Jr. keeps everything lively and appealing from
first to last. His dance numbers have sass and class, a delight to behold. His
number with the tap dancing seagulls is funny and fun to watch, robust and
endearing.
Musical
director Esther Zabinski who also
conducts the orchestra is right on the mark and conducts the orchestra with
verve and feeling.
The set by
Nate Bertone is simple, basic and effective. It successfully evokes and
underwater world with simple yet impressive touches, creating undersea caves
and dark areas for the denizens of the deep to prowl. His suggestive sets for
out of the water worked well too.
The
costumes, the original costume and wig design by Kurt Alger were fanciful and
energetic.
If you
loved the 1989 Disney movie, you will love this show which faithfully follows
the movie. You won’t want to miss it!
"Disney's
The Little Mermaid" runs through Aug. 15 at Theatre By The Sea, 364 Cards
Pond Rd., Matunuck. Tickets are $45-$65. Call (401) 782-8587, or visit theatrebythesea.com.
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