By Richard Pacheco
The current
production at Theatre by the Sea of the Lerner Lowe classic “My Fair Lady” is a
delightful production spurred by talented performances, some stunning sets and
great music. “My Fair Lady” is a musical based on George Bernard Shaw's “Pygmalion,” with book and lyrics by Alan
Jay Lerner and music by Frederick Loewe. The story concerns Eliza Doolittle, a Cockney
flower girl who takes speech lessons from professor Henry Higgins, a phoneticist,
so that she may pass as a lady. The original Broadway, London
and film versions all starred Rex Harrison. Theatre by the Sea stars Charles Shaughnessy
of television’s “the Nanny” fame.
The result is a charming,
energetic, ebullient production that never rails to please with its finesse and
dazzling talent.
It all begins when Col Pickering
and Higgins make a bet that Higgins cannot turn Eliza into a lady. Higgins
decides to take her into his house to instruct her in the details and finesse
of speaking and acting like a lady. They work ceaselessly and tirelessly to
master her elocution with determination and Higgins showing off his self
centered, self absorbed attitude towards her along the way.
Her first test is the racing at Ascot
and the opportunity to meet Higgins’s mother. Eliza carries it off delightfully
despite a faux pas at the end when she lapses into her Cockney roots. It
doesn’t matter however, as they are all
charmed.
Eliza's final test requires her to
pass as a lady at the Embassy Ball, A rival and former student of Higgins, a
Hungarian phonetician named Zoltan Karpathy, is employed by the hostess to
discover Eliza's origins through her speech. The event is revealed to have been
a success, with Zoltan Karpathy having concluded that Eliza is not only
Hungarian, but of royal blood. She is a princess.
Charles Shaughnessy of television’s
“The Nanny” fame is Higgins. Sophisticated, an elitist he is self absorbed and
rational to a fault. One false note occurs at the end when Higgins is supposed
to fall in love with Eliza. It is not
totally convincing with Shaughnessy being still too much aloof and uninvolved
with her to be truly convincing. Beyond that, it is a wonderful performance
full of charm and finesse as well as skill. He is excellent with his singing of
“Why Can’t the English” full of gusto and zest.
Kerry Conte is Eliza, a poor young
flower seller in downtown London
with a dense Cockney accent. Se is endearing and charming in the role. Her
transition from Cockney flower girl to lady is convincing and appealing. She
shines in “Just You Wait and her numbers with others like “I Could Have Danced
All Night” and “The Rain in Spain”
as well as “Wouldn’t It Be Loverly”.
A real stand out here is Eliza’s
father, Alfred, played by Bill E. Deitrich. Alfred is a real conniver, a man
out for himself but also likeable and charming. Deitrich makes this even more
appealing with an energy and gusto that is perfect, full of sass and
spirit. He does well with his singing
and dancing too as he displays in “Just A Little Bit” and the energetic “Get Me
To the Church On Time” which he delivers with style and enthusiasm.
Tom Gleadow, well familiar to local
audiences is solid as Mr. Pickering, who makes the bet with Higgins to
transform the flower girl into a lady. While not his best performance, it is
well done, full of confidence and skill.
Xachary Berger as Freddy, enamored
of Eliza is a young man infatuated by love, distracted by Eliza’s beauty and
style. He shines with his song “On The Street Where She Lives: being sincere
and convincing.
Among the other supporting cast
which adds so much to this production are Maria Day as Mrs. Higgins and Ellen
Peterson as Mrs. Pierce, Higgins’s main servant.
There are many treats in this show
with admirable signing and vivacious dancing. The “Ascot Gavotte” is very funny and right on the mark as the
singers follow the racing horses around the
track with relentless dedication and an air of aloofness. There is more
fun to be found with
Charles Repole directs with a sure
hand and firm touch throughout. Musical director Milton Granger is excellent in
his direction of the singers and conducting the orchestra. The sets by Michael
P. Kramer work very well, beings suggestive and effective and imaginative
throughout. The choreography by Michael Lightefeld is spirited and vibrant,
never failing with imaginative touches throughout.
"My Fair Lady" runs
through July 18 at Theatre By The Sea, 364
Cards Pond Road, Matunuck. Tickets are
$45-$65. call (401) 782-8587, or visit theatrebythesea.com.
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