By Richard Pacheco
Edward
Albee who just died in September 2016 was one of America’s greatest playwrights
and this play shows off Albee at his best with deft dialogue a balance between
probing sincerity and absurdist flair. The play captured the 1975 Pulitzer Prize in drama. It covers familiar
ground for Albee, that of interpersonal relationships and communication.
In
“Seascape” Albee probes the changes and challenges that face us in life.
Charlie and Nancy face their retirement with some trepidation and concern. They
have earned their retirement. In their gambit to the beach they encounter two
fantastical sea creatures with which they interact. The seas creatures want
more than they have in their undersea domain, crave so much more than they now
have. There are moments that funny and then also serious.
Charlie and
Nancy discuss their married life, the ups and downs that go with it. There was
a time when Charlie was depressed and Nancy almost divorced him. They both long
for something more than they have, somehow feeling they were cheated by life
and are missing out on things. As with just about all of Albee’s plays, this is
about lives overflowing with regrets over things not done, roads not taken,
people who spend their lives living as if they are never going to day only to
realize so much has slipped through their fingers.
Artist
director Ed Shea who directed this, is Charlie who longs for endless rest and
pleads with his wife to leave him alone. Yet when he remembers about when he
was a child and used to weight himself down with rocks to sit underwater and
enjoy the vista he say there, he perks up. The result is hysterical full of
frustrated outbursts. Shea delivers an impeccable performance. He is bold,
sincere and masterfully funny when he needs to be.
Charles La
Frond is Leslie, the male sea creature, who is wary and concerned out the
encounter with this land folk. He is curious about life on land and away from
the sea. He wants to know more yet is fearful. La Frond is solid in the role,
the right mixture of bravado and caution with often funny results.
Valerie
Westgate is the female seas creature, Sarah. She too longs for more, feeling
life has passed her by and she feels that going on land will somehow help
alleviate that. She too is somewhat cautious but longs to know more. She is
delightful in the role, sincere and funny as she struggles through this new
adventure.
Susan Bowen
Powers is Charlie’s wife, Nancy. Nancy is tired of life to this point and at
one point considered divorcing her husband Charlie. She encourages him to
reconnect with his childhood happiness. In the end she is resentful that the
“good life” they lived has limited her. She craves new experiences while
Charlie wants only to rest. This is the weakest performance in the production.
At times she seems too bland and unemotional, a bit distant and not connected.
She does have some moments with seems seem to hit the mark but they are few and
far between.
Ed Shea
directs with confidence and finesse and makes solid use of the in the round
format.
It runs through Feb. 5 at the
theatre, located at 28 Market St., Warren. Tickets are $25 and $35. For more
information, go to 2ndstorytheatre.com or
call (401) 247-4200.
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