by Richard Pacheco
“The Lyons” at 2nd
Story Theatre
by Nicky Silver bristles with quirky and sassy dialogue, making for many laughs
along the way and some touching moments as well. They are ill-tempered and nasty to each other,
seem like the cannot cling without stabbing each other verbally. It is loaded
with one liners as they kick the ego out of each other.
Silver’s play, “The Lyons”, opened on Broadway in
April 2012, after an Off-Broadway run at the Vineyard Theater in 2011. This is
his first play to be produced on Broadway where the play stared Linda Lavin and
Dick Latessa. His new play, “Too Much
Sun” is expected to premiere Off-Broadway at the Vineyard Theatre in May
2014, with direction by Mark Brokaw and starring Linda Lavin.
Ben Lyons is in a hospital where he
is dying from cancer. His family gathers around him. His wife Rita kept the illness secret from the
children. The family surrounds him including his grown children, Curtis Lyons
and Lisa Lyons. He is also attended by a pleasant nurse who takes care of his
needs. Ben is no longer constrained by manners or family niceties, and says
whatever he wishes, including tons of expletives. Rita, trapped in a 40-year
loveless marriage, now thinks of the future without Ben and plans to
re-decorate the living room. Lisa is an alcoholic, who has left an abusive
marriage; but is still attracted to her husband. Curtis, a homosexual, has had
little to do with his father, who is homophobic and despises his lifestyle and
isn’t afraid to say it. In a getaway from the hospital, Curtis looks at an
apartment with the help of an actor moonlighting as a real estate agent. The Lyons were vastly ill suited for each
other and the main question remains of what will happen to the children as well
as Rita when he dies.
Vince Petronio is Ben, who recently
found out he had cancer and was dying—soon. It has made him blunt and ill
tempered and he has little patience left for his wife of 40 years or his two
grown children of whom he vastly disapproves for various reasons. He unloads
all on his family with particular nastiness on his son Curtis. Petronio is taut
and hilarious in the role as he spews swears out like a machine gun aimed in
all directions, spraying the room with pent up frustration and rage.
Paula Faber is Rita, a woman frustrated
by her 40 year marriage whose greatest current joy is that she will be able to
redo the lining room and toss that ugly furniture once her husband dies. She
even tries to enlist his aid in picking out a new look, but he balks at the
idea with fierce determination and forbids her to do it. She is a suffering
belittling Jewish mother whose loves comes in like porcupine quills, sharp and
pointed. Faber is the epitome of the well dressed, sophisticated and ever nasty
Rita, always poised to take another shot at her husband and her children with
relish and abandon.
Lara Hakeem is Lisa, the divorced battered
ex-wife still attracted to her former abusive husband and the alcoholic daughter.
She doesn’t know what a healthy relationship looks like, something reinforced when
she meets a man down the hall from her father in the hospital who is dying and
is attracted to him. Hakeem is delightful in the role. She withers beneath her
mother’s barrages of meanness and insults and she struggles to keep battling
the omnipresent urge to drink and drink a lot.
Kevin Broccoli is Curtis, the gay
son hated by his father for not living up to dad’s expectations. Curtis is
awkward, brainy, full of fantasies with serious problems, not big surprise
considering his family situation and in particular his father’s bile towards
him. He is without doubt the product of Rita and Ben’s upbringing. Broccoli is terrific in the role, delivering
a balance of awkwardness and intelligence along with a wounded tiny animal
quality that is effective.
Lucia Gill Case rounds out the cast
as the nurse so is so attentive to Ben and more no nonsense when Curtis ends up
on the hospital in the same ward later on. Case is solid and effective in her
role.
Director Mark Pelham keeps the pace
brisk and potent, oozing nastiness at every turn. It is also vastly entertaining while being
down and dirty. He mines the sheer malice here for great comic effect, making
us laugh in spite of ourselves.
Set designer Karl Pellitier uses a
less is more concept with the sparsely decorated hospital room and even the
apartment later has very little but more than enough to make it palatable and
work.
The play is a raucous family free
for all, with all the family members going at each with rare zest and venom a
take no prisoners approach that is as nasty as it is funny. The play never
wanes in its energy or its spite. The wining cast boldly blazes into battle
from the first without faltering, spewing some very funny anger at each other
as they reveal the truth of who they really are beyond the surface.
It will be presented at the
downstairs theatre at 2nd Story
Theatre until Feb. 9. Performances
Thursdays at 7 pm, Fridays and
Saturday’s at 8 pm, Sundays at 3 pm.
Second
Story Theatre
28 Market Street, Warren,
RI box office 401-247-4200. www.2ndStoryTheatre.com Tickets are It
continues at Second Story
Theatre until October 6 in the
DownStage Theatre Preview Performance prices are Adult: $20,
Regular Performance, Adult: $25, Student (Under 21): $20
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