By Richard Pacheco
Second
Story Theatre’s
production of the Dale Wasserman adaptation of the legendary Ken Kesey novel
sparkles with raucous energy and some totally moving moments. It makes it all
dazzling and enjoyable with some exceptional performances and fine direction.
The Ken Kesey’s 1962 novel is a
classic. Kesey is a link between the Beat Generation and the hippies.
Considering himself too young to be a beatnik and too old to be a hippy. The inspiration
for the novel came from his experiences working the night shift at the Menlo
Park Veteran’s Hospital. It tells the
tale of Randal P. McMurphy, a free spirited rebel who connives to be sent to a
mental hospital rather than do time with hard labor at a prison work farm. He
soon learns it is a big mistake, one that threatens his very future and
happiness. Wasserman’s adaptation was a Tony winner in 2001 for Best Revival.
Wasserman also wrote “Man of La Mancha.” He died in 2008 at age 94.
Kirk Douglas played McMurphy in the
first stage production on Broadway and was supposed to play the film role, but
by the time the film got made he was too old and the role went to Jack
Nicholson.
The conflict between McMurphay and
the infamous Nurse Ratched is the battle between society and individuality,
between conformity and freedom.
Into this
perfectly controlled world comes McMurphy, a wild eyed, outrageous character
who is all id, a slave to his whims and pretending to be insane to avoid a
sentence for statutory rape. He is like a bomb dropped amidst the obedient
patients under the thumb of the malicious, Nurse Ratched. McMurphy antagonizes
her from minute one in an ever increasing battle of wills.
Aaron Morris is wonderful as
McMurphy. He is the right mixture of mischievous anti establishment rebel and
genuine concern for his fellow patients. He delivers a delicious performance,
sassy and sympathetic.
Tanya Anderson is perfect as Nurse
Ratched, the epitome of the administrative bully. She is the perfect foil for
the rambunctious McMurphy. She is pristine, poised and all about control. Ms.
Anderson handles it with a coldness and precisions that is impressive and
powerful. This is a woman who understands control and knows how to maintain it
no matter what the costs to patients.
Jason Quinn plays Chief Bromden, a
huge man made to feel small throughout his life. He narrates the goings on and
offers some insights that are fascinating. Mr. Quinn is outstanding in the
role, capturing the fragility of this mountain of a man and vividly portraying
his transformation from a silent hulk into a man aware of his potential. His monologues are crisp and emotionally
potent. McMurphy draws him out of his confined self to make him aware of his
options.
Kevin Broccoli is Dale Harding, a
timid man who cannot satisfy his big breasted wife and so checked himself in.
Broccoli shines in the role. Through McMurphy’s influence, he evolves from a whimpering
moaner afraid of his own shadow into someone who stands up for his friends an
fellow inmates including the Chief when he needs it most.
Tim White is terrific as the
stuttering Billy Babbit, who battles against continual mother issues and her
ever looming disapproval. He is tormented and squirms like a fish on a hook to
wriggle free. It is a moving and emotionally wrenching performance as he faces
his myriad insecurities and fears.
The rest of this splendid cast
delvers the same kind of quality and memorable performances. Tom O’Donnell is
the ever cranky and irascible Scanlon who fancies himself always ready to blow
up the world with his bomb. Bill Oakes is Cheskwick, a loudmouth with more bark
than bite until he too evolves under McMurphy’s influences and encouragement.
Chris Conti is Martini, who continually talks to his invisible friends about
what is for him an ever ensuing war. Jeff Church is a riot as the lobotomized
Ruckley who drifts about in a stupor and is a willing participant as a
basketball hoop and crucifix as needed in the wedding scene. The party ladies,
friends of McMurphy are played by Emily Lewis as the fun loving always ready to
have sex Candy and Tray Gearing as her hard drinking party loving friend,
Sandra. Alex Duckworth is the spineless wish washy Dr. Spivey. Vince Petronio
is the pot smoking laid back aide, Turkle. The timid, mousy Nurse Flynn is
played by Amy Thompson.
There are many memorable scenes in
the production. The scene where they want to watch the World Series is sheer
delight. The party scene is hilarious with its wedding tucked in nicely. The
conflicts between McMurphy and Nurse Ratched are powerful, at times raucous, at
other times disturbing and moving. The final scene between the Chief and
McMurphy is pure power, highly moving and emotional. The cast received a well
deserved standing ovation at the end of this wonderful performance. It is
memorable for its emotional power and comic finesse.
Director Mark Peckham keeps it
all crisply staged. Despite the large
cast, everything flows easily from one point to another with no clutter.
The set and lighting design by
Trevor Elliot is impeccable. He ably captures the dreary sameness, the
overwhelming confining atmosphere of such an institution with skill and
imagination.
It continues at Second
Story Theatre
March 8 until April 7. Performances Thursdays at 7
pm, Fridays and Saturday’s at 8 pm,
Sundays at 3 pm. Tickets are $25, Age
21 and under $20.
Second
Story Theatre
28 Market Street, Warren,
RI box office 401-247-4200.
www.2ndStoryTheatre.com
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