By Richard Pacheco
“Lost in Yonkers”
is considered by many to be Neil Simon’s best play. It opened in 1991 on
Broadway where it ran for 780 performances. It walked off with the season’s
major awards winning the Pulitzer, Outer Critic’s Circle Award, Dram Desk Award
and the Tony. The current production at Second Story shows you why. This fine
production is propelled by laugh and drama, both skillfully performed with
finesse and style.
In the Summer of 1942 widower Eddie
Kurnitz must leave his two sons with his domineering mother while he pursues
work in the south to pay off a loan shark for the money he borrowed to help
their now dead mother battle cancer. In the household is the childlike Aunt
Bella and Uncle Louie, a small time hood on the run. The play deftly mixes Simon
touches of humor with heartwarming and touching drama.
Matthew Pirraglia is the younger
son, Artie. Andrew Jacovelli is the older son, Jay. Mr. Pirraglia is feisty and
fun as the younger son, intimidated by his stern grandmother and at odds with
the situation he finds himself living in daily. He is perky and energetic. It
is a solid performance that is fun to watch. He has a solid sense of comic
timing.
Mr. Jacovelli is a delight as the
cocky, smart mouthed older brother Jay. He is very protective of his younger
brother but finds it tough in the madhouse where he finds himself living. Mr. Jacovelli shows a fine comic sense and
offers some great expressions while the madness unfolds around him.
Paula Faber is relentless steel as
Grandma. She is a survivor who managed to get her family out of Germany
before Hitler turned it all to hell. She is stern and harsh, determined to
teach her children and grandchildren to survey at all costs. Ms. Faber is pitch
perfect in the role with her German accent and harsh ways. She is not a woman
to bestow love on anyone.
Hillary Parker is a enchantment as
the childlike Bella. She has a fine comic timing and a real flair in her
performance. She is alternately ditzy and people smart. Ms. Parker is full of
energy with a witty flair for the funny. She has some great lines and delivers
them with aplomb and impeccable timing.
Ara Boghigian is your macho tough
guy, a Humphrey Bogart incarnate as Uncle Louie. He is on the run, perhaps for
his life and manages to slide back into their lives and bond with his nephews. He
talks the talk with that gruff, macho demeanor with skill and vitality.
Joe Henderson is the father Eddie.
He is torn and tortured having to leaves his sons with his iron mother without
kindness. But he does what has to be done. He is sensitive and trying to be
strong for his sons. Mr. Henderson is
adroit as she shifts back and forth from the strong to the sensitive.
Rounding out the cast is Tray
Gearing as Aunt Ger, who has a funny way of talking, sometimes with breath
going out, other times with breath going in. The result is very funny. Ms.
Gearing is sheer glee as the aunt.
Director Mark Peckham shows a real
feel for the material. He skillfully guides his cast through delicate balance
of humor and drama with real flair and elegance.
Trevor Elliot’s set design is a
wonder, with period touches that are winning. The stairs to the rear and the
multiple doors work really well. The flavor is definitely the forties and reminds
me of my grandmother’s home.
Marcia Zammarelli’s costumes are
true to the time and appealing. Things like knickers for Artie and the gangster
get up with spats and fedora for the
gangster uncle are right on target.
This is a wacky dysfunctional family
that is prepared for laughs and deep feelings by turns. They draw you into their
world like a welcome guest and you enjoy the invitation. This is Simon at his best with vibrant
performances to bring it all to life.
It will be presented at Second
Story Theatre,
28 Market Street, Warren,
RI until December 16, Tickets are$25 and
under 21 for $20. 401-247-4200 or http://www.2ndstorytheatre.com/tixfaq.htm
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