By Richard Pacheco
Theater reviews for Massachusetts and Rhode Island by an award winning critic, actor, playwright and director
Wednesday, September 21, 2016
Monday, September 19, 2016
“Beowulf – A Thousand Years of Baggage” at Trinity Rep
By Richard Pacheco
Trinity Rep
opens its season with the ribald and sassy rock musical based on a classic
poem, “Beowulf.” “Beowulf A Thousand Years of Baggage” is rollicking delights
with its cheeky take on the classic tale, which it takes on with vigor,
irreverence and excellent performances across the boards. There is much to
delight here.
It opens
with three academics apparently dryly discussing “Beowulf” which is very funny.
They are stilted and awkwardly stuffy. Then almost immediately it all
transforms as they begin to examine “Beowulf.”
So our
legendary hero is off to Denmark to slay the dragon Grendel who is wreaking
havoc on King Hrothgar” kingdom. Beowulf is not the brightest bulb, but he is
not lacking in sheer testosterone and chutzpah. Beowulf does not only slay
Grendel, but Grendel’s mother as well. In the midst of their discussion, enter
Beowulf, armed and ready to fight to the death. It becomes a rollicking merry
ride after that, mixing the story with the commentators with deft skill and
wacky humor.
Charlie
Thurston is Beowulf, full of passion and ready for action, but not too smart.
He prances about with a black leather kilt wearing an American flag for a cape.
Thurston is terrific in the role, full of energy, great comic timing and a
solid voice for when he rocks the house. After he kills Grendel, they hold up a
Mission Accomplished sign that seems like the perfect touch.
Stephen
Berenson is Academic One and Grendel. He handles the nick picky academic with
skill and his Grendel is amusing and imposing as he appears with a towering
body puppet that makes him seem at least 12 feet tall. It doesn’t matter
whoever since Beowulf rips off his arm which results in Grendel dying in front
of his mother.
Anne
Scurria is Academic number Two and Grendel’s mother. She is very funny as the
academic, at times comically stilted and stuffy at other times just hilarious
as Grendel’s mother.
The final
member of the academic trio is Janice Duclos who is Academic Three and the
Dragon. She too is on the mark as the
fussy academic and a delight as the dragon who threatens Beowulf later on in
life.
Of course
we cannot forget the delightful performance by Joe Wilson Jr. as Hrothgar,
decked out in a silver sequined jacket and singing up a storm.
This
musical is solid and sheer fun and madcap mixture of rocking songs and
delightful comedy throughout. The concept is the kind of thing that can either
be a totally disaster or terrific. This result is terrific all the way.
The
warriors are played by women with orange hair and add so much to the musical
with their flair, dancing and finesse.
Rachel
Warren as one of the warriors nails her singing with style and passion.
The songs
here are not the kind you’ll be humming for days after, but they really rock
and fit the story really well. The book
and lyrics by Jason Craig and the music by Dave Malloy are passionate and rock
with raw energy.
Artistic
Director Curt Columbus directs with just the right touch, full of energy and
driving passion. The musical direction by Michael Price is right on the mark
and flawless. The puppet design by Shoshanna Utchenik is imaginative and fun.
"Beowulf: A Thousand Years of Baggage" runs
through Oct. 9 at Trinity Rep, 201 Washington St. Tickets are $25-$71. Call
(401) 351-4242, or visit trinityrep.com.
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